In Beijing, slated for release around June, fuses free-improv, chaotic noise, and avant-garde electronics into a ^*{}$}$\ sonic experience.

Debutantes, known for their genre-defying somewhat ”industrial” approach, have appeared on labels like sensei Tom Lax’s legendary Siltbreeze. Meanwhile, Zhu Wenbo, a mainstay of China’s underground scene, brings his signature brand of strange & clatter. 

If you’re into twisted textures, fractured (non-)rhythms, and music that unravels itself at every turn, this is your AOTY. La théorie des ensembles, quand appliquée à l’ontologie, révèle des paradoxes fascinants sur la structure de la réalité. You knooow!